पुराना पाकिस्तान

[abhisays]

Say, Vat? Nothing extraordinary about this old 1975 Urdu film poster of a movie released at a time when the country’s film industry was booming. However, check out the bottle of whiskey, Vat-69.

This brand of whiskey (according to late filmmaker and cinema historian, Mushtaq Gazdar), appeared in hundreds of Pakistani films between 1950s and late 1970s. But why Vat 69?

Gazdar wasn’t sure, but he did notice that (for whatever reasons), this brand of whiskey was used by most Pakistani directors if they had to show a ‘good person’ drowning their sorrows with the help of a stiff drink, whereas other brands were used if a ‘bad person’ was shown having a shot or two.

Also, bars and nightclubs in Karachi, though stuffed with local brands of beer, vodka and whiskey, mainly stocked Vat 69 as their vintage foreign/imported brand.

Interestingly, after sale of alcohol was banned in 1977 (to Muslims), Vat 69 lost its iconic status and was replaced by local brands (such as Lion Whiskey) now available in ‘licensed wine shops’ in Karachi and the interior Sindh, and Black Label stocked by enterprising bootleggers.

[abhisays]

At the art of it all: This 1975 photograph shows a group of some of Pakistan’s famous painters and sculptors with a visiting British artist at the Karachi Arts Council. Check out the flares, the sideburns and all. And they’re smoking inside the building. Awesome.

[abhisays]

Marriot, 1977: This is a 1977 photograph showing Islamabad’s Marriot Hotel (then called Holiday Inn) being constructed. Almost three decades later this famous hotel was blown up by suicide bombers and/or psychotics who were in a hurry to reach the rooms their handlers had booked for them in paradise.

Notice the almost barren area in front of the hotel – a far cry from the wide roads, traffic signals and lines of trees and traffic that surrounds the area today.

[abhisays]

Talking heads: A terrific 1975 photograph of a scholarly talk show on PTV. Intellectual talk shows were rather popular on TV in Pakistan in the 1970s. This one shows renowned playwrights, Ashfaq Ahmed and Bano Qudsia (centre right), talking about ‘socialist plays’ with the host.

[abhisays]

Damned greatness: A 1976 photo of Pakistan’s Nobel Prize winning scientist, Dr. Abdus Salam (right), with a colleague at a summer college held at Pakistan’s scenic Nathiyagali resort.

Considered to be one of the greatest minds produced by Pakistan, Dr. Salam, a devout member of the Ahmadi community, was associated with various scientific and developmental projects undertaken by the government from the 1950s till 1974.

He quit and left Pakistan in protest after the Ahmadis were declared as non-Muslim (in the 1973 Constitution).

However, he kept returning to the country on the invitation of friends, but he never reconciled with those who’d pushed to declare his community a non-Muslim minority in the country of his birth and work.

[Dark Saint Alaick]

एक अद्भुत सूत्र के लिए आप बधाई के पात्र हैं अभिषेकजी ! मेरे पास भी पाकिस्तान के बारे में कुछ रोचक सामग्री है, जिसे मैं शीघ्र इस सूत्र में शेयर करूंगा ! आपका हार्दिक आभार !

[abhisays]

Hippie invasion: Cover of the soundtrack album (LP) of 1974 box-office hit, Miss Hippie. The film depicted the ‘effect hippie lifestyle and fashion were having on Pakistani youth.’ (sic)

Starring popular 1970s Pakistani film actress, Shabnam, the film conveniently forgot that more than half of the hashish that was being consumed by the ‘invading hippies’ was actually being produced and smuggled in and from Pakistan!

[abhisays]

Pray tell: Photograph showing late Pir Pagara talking to the press at the Karachi Press Club in 1977. Pagara was heading a right-wing movement against the Z. A. Bhutto regime.

Here he is seen talking to the press (surrounded by some members of the Jamat-i-Islami, Jamat Ulema Islam and Jamiat Ulema Pakistan).

The men then got up to say their evening prayers.
However, a commotion broke out between the religious leaders of the movement when JI and JUI men refused to pray behind JUP leader, Shah Noorani.

JUI was inclined towards Sunni Deobandi school of thought whereas Noorani was from the pro-Barelvi JUP. Though united in their opposition to Bhutto’s ‘socialism’, both men thought the other was a ‘misguided Muslim.’

[abhisays]

The King wuz here: Rare poster of Indian Ghazal king (and queen) Jagit & Chitra’s tour of Lahore in 1979. They held a series of successful concerts, with the most colourful one taking place in the city’s historical Shalimar Gardens.

[abhisays]

Not in our name: Women organisations were at the forefront of the many movements that took place against the brutal Ziaul Haq dictatorship. This 1980 photograph is from a violent protest held by female college students (in Lahore) against the Zia regime’s ‘masochistic attitude’ towards women.