Best Russian Short Stories

[Dark Saint Alaick]

In this thread I have been guided by the desire to
give the largest possible representation to the prominent authors of
the Russian short story, and to present specimens characteristic of
each. And words of Thomas Seltzer-



"Everything is subordinated to two main requirements--humanitarian
ideals and fidelity to life. This is the secret of the marvellous
simplicity of Russian literary art."

[Dark Saint Alaick]

words from my pen.


Conceive the joy of a lover of nature who, leaving the art galleries,
wanders out among the trees and wild flowers and birds that the
pictures of the galleries have sentimentalised. It is some such joy
that the man who truly loves the noblest in letters feels when tasting
for the first time the simple delights of Russian literature. French
and English and German authors, too, occasionally, offer works of
lofty, simple naturalness; but the very keynote to the whole of
Russian literature is simplicity, naturalness, veraciousness.

Another essentially Russian trait is the quite unaffected conception
that the lowly are on a plane of equality with the so-called upper
classes. When the Englishman Dickens wrote with his profound pity and
understanding of the poor, there was yet a bit; of remoteness,
perhaps, even, a bit of caricature, in his treatment of them. He
showed their sufferings to the rest of the world with a "Behold how
the other half lives!" The Russian writes of the poor, as it were,
from within, as one of them, with no eye to theatrical effect upon the
well-to-do. There is no insistence upon peculiar virtues or vices. The
poor are portrayed just as they are, as human beings like the rest of
us. A democratic spirit is reflected, breathing a broad humanity, a
true universality, an unstudied generosity that proceed not from the
intellectual conviction that to understand all is to forgive all, but
from an instinctive feeling that no man has the right to set himself
up as a judge over another, that one can only observe and record.

Rich as Russia has become in the short story, Anton Chekhov still
stands out as the supreme master, one of the greatest short-story
writers of the world. He was born in Taganarok, in the Ukraine, in
1860, the son of a peasant serf who succeeded in buying his freedom.
Anton Chekhov studied medicine, but devoted himself largely to
writing, in which, he acknowledged, his scientific training was of
great service. Though he lived only forty-four years, dying of
tuberculosis in 1904, his collected works consist of sixteen
fair-sized volumes of short stories, and several dramas besides. A few
volumes of his works have already appeared in English translation.

Critics, among them Tolstoy, have often compared Chekhov to
Maupassant. I find it hard to discover the resemblance. Maupassant
holds a supreme position as a short-story writer; so does Chekhov. But
there, it seems to me, the likeness ends.

All who enjoy good reading, I have no reason to doubt, will get
pleasure from it, Thanks.

[Dark Saint Alaick]

The Queen Of Spades

By Aleksander S. Pushkin







I


There was a card party at the rooms of Narumov of the Horse Guards.
The long winter night passed away imperceptibly, and it was five
o'clock in the morning before the company sat down to supper. Those
who had won, ate with a good appetite; the others sat staring absently
at their empty plates. When the champagne appeared, however, the
conversation became more animated, and all took a part in it.

"And how did you fare, Surin?" asked the host.

"Oh, I lost, as usual. I must confess that I am unlucky: I play
mirandole, I always keep cool, I never allow anything to put me out,
and yet I always lose!"

"And you did not once allow yourself to be tempted to back the red?...
Your firmness astonishes me."

"But what do you think of Hermann?" said one of the guests, pointing
to a young Engineer: "he has never had a card in his hand in his life,
he has never in, his life laid a wager, and yet he sits here till five
o'clock in the morning watching our play."

"Play interests me very much," said Hermann: "but I am not in the
position to sacrifice the necessary in the hope of winning the
superfluous."

"Hermann is a German: he is economical--that is all!" observed Tomsky.
"But if there is one person that I cannot understand, it is my
grandmother, the Countess Anna Fedotovna."

"How so?" inquired the guests.

"I cannot understand," continued Tomsky, "how it is that my
grandmother does not punt."

"What is there remarkable about an old lady of eighty not punting?"
said Narumov.

[Dark Saint Alaick]

"Then you do not know the reason why?"

"No, really; haven't the faintest idea."

"Oh! then listen. About sixty years ago, my grandmother went to Paris,
where she created quite a sensation. People used to run after her to
catch a glimpse of the 'Muscovite Venus.' Richelieu made love to her,
and my grandmother maintains that he almost blew out his brains in
consequence of her cruelty. At that time ladies used to play at faro.
On one occasion at the Court, she lost a very considerable sum to the
Duke of Orleans. On returning home, my grandmother removed the patches
from her face, took off her hoops, informed my grandfather of her loss
at the gaming-table, and ordered him to pay the money. My deceased
grandfather, as far as I remember, was a sort of house-steward to my
grandmother. He dreaded her like fire; but, on hearing of such a heavy
loss, he almost went out of his mind; he calculated the various sums
she had lost, and pointed out to her that in six months she had spent
half a million francs, that neither their Moscow nor Saratov estates
were in Paris, and finally refused point blank to pay the debt. My
grandmother gave him a box on the ear and slept by herself as a sign
of her displeasure. The next day she sent for her husband, hoping that
this domestic punishment had produced an effect upon him, but she
found him inflexible. For the first time in her life, she entered into
reasonings and explanations with him, thinking to be able to convince
him by pointing out to him that there are debts and debts, and that
there is a great difference between a Prince and a coachmaker. But it
was all in vain, my grandfather still remained obdurate. But the
matter did not rest there. My grandmother did not know what to do. She
had shortly before become acquainted with a very remarkable man. You
have heard of Count St. Germain, about whom so many marvellous stories
are told. You know that he represented himself as the Wandering Jew,
as the discoverer of the elixir of life, of the philosopher's stone,
and so forth. Some laughed at him as a charlatan; but Casanova, in his
memoirs, says that he was a spy. But be that as it may, St. Germain,
in spite of the mystery surrounding him, was a very fascinating
person, and was much sought after in the best circles of society. Even
to this day my grandmother retains an affectionate recollection of
him, and becomes quite angry if any one speaks disrespectfully of him.
My grandmother knew that St. Germain had large sums of money at his
disposal. She resolved to have recourse to him, and she wrote a letter
to him asking him to come to her without delay. The queer old man
immediately waited upon her and found her overwhelmed with grief. She
described to him in the blackest colours the barbarity of her husband,
and ended by declaring that her whole hope depended upon his
friendship and amiability.

[Dark Saint Alaick]

"St. Germain reflected.

"'I could advance you the sum you want,' said he; 'but I know that you
would not rest easy until you had paid me back, and I should not like
to bring fresh troubles upon you. But there is another way of getting
out of your difficulty: you can win back your money.'

"'But, my dear Count,' replied my grandmother, 'I tell you that I
haven't any money left.'

"'Money is not necessary,' replied St. Germain: 'be pleased to listen
to me.'

"Then he revealed to her a secret, for which each of us would give a
good deal..."

The young officers listened with increased attention. Tomsky lit his
pipe, puffed away for a moment and then continued:

"That same evening my grandmother went to Versailles to the _jeu de la
reine_. The Duke of Orleans kept the bank; my grandmother excused
herself in an off-hand manner for not having yet paid her debt, by
inventing some little story, and then began to play against him. She
chose three cards and played them one after the other: all three won
_sonika_, [Said of a card when it wins or loses in the quickest
possible time.] and my grandmother recovered every farthing that she
had lost."

"Mere chance!" said one of the guests.

"A tale!" observed Hermann.

"Perhaps they were marked cards!" said a third.

"I do not think so," replied Tomsky gravely.

"What!" said Narumov, "you have a grandmother who knows how to hit
upon three lucky cards in succession, and you have never yet succeeded
in getting the secret of it out of her?"

"That's the deuce of it!" replied Tomsky: "she had four sons, one of
whom was my father; all four were determined gamblers, and yet not to
one of them did she ever reveal her secret, although it would not have
been a bad thing either for them or for me. But this is what I heard
from my uncle, Count Ivan Ilyich, and he assured me, on his honour,
that it was true. The late Chaplitzky--the same who died in poverty
after having squandered millions--once lost, in his youth, about three
hundred thousand roubles--to Zorich, if I remember rightly. He was in
despair. My grandmother, who was always very severe upon the
extravagance of young men, took pity, however, upon Chaplitzky. She
gave him three cards, telling him to play them one after the other, at
the same time exacting from him a solemn promise that he would never
play at cards again as long as he lived. Chaplitzky then went to his
victorious opponent, and they began a fresh game. On the first card he
staked fifty thousand rubles and won _sonika_; he doubled the stake
and won again, till at last, by pursuing the same tactics, he won back
more than he had lost ...

"But it is time to go to bed: it is a quarter to six already."

And indeed it was already beginning to dawn: the young men emptied
their glasses and then took leave of each other.

[Dark Saint Alaick]

II


The old Countess A---- was seated in her dressing-room in front of her
looking--glass. Three waiting maids stood around her. One held a small
pot of rouge, another a box of hair-pins, and the third a tall can
with bright red ribbons. The Countess had no longer the slightest
pretensions to beauty, but she still preserved the habits of her
youth, dressed in strict accordance with the fashion of seventy years
before, and made as long and as careful a toilette as she would have
done sixty years previously. Near the window, at an embroidery frame,
sat a young lady, her ward.

"Good morning, grandmamma," said a young officer, entering the room.
"_Bonjour, Mademoiselle Lise_. Grandmamma, I want to ask you
something."

"What is it, Paul?"

"I want you to let me introduce one of my friends to you, and to allow
me to bring him to the ball on Friday."

"Bring him direct to the ball and introduce him to me there. Were you
at B----'s yesterday?"

"Yes; everything went off very pleasantly, and dancing was kept up
until five o'clock. How charming Yeletzkaya was!"

"But, my dear, what is there charming about her? Isn't she like her
grandmother, the Princess Daria Petrovna? By the way, she must be very
old, the Princess Daria Petrovna."

"How do you mean, old?" cried Tomsky thoughtlessly; "she died seven
years ago."

The young lady raised her head and made a sign to the young officer.
He then remembered that the old Countess was never to be informed of
the death of any of her contemporaries, and he bit his lips. But the
old Countess heard the news with the greatest indifference.

"Dead!" said she; "and I did not know it. We were appointed maids of
honour at the same time, and when we were presented to the Empress..."

[Dark Saint Alaick]

And the Countess for the hundredth time related to her grandson one of
her anecdotes.

"Come, Paul," said she, when she had finished her story, "help me to
get up. Lizanka, where is my snuff-box?"

And the Countess with her three maids went behind a screen to finish
her toilette. Tomsky was left alone with the young lady.

"Who is the gentleman you wish to introduce to the Countess?" asked
Lizaveta Ivanovna in a whisper.

"Narumov. Do you know him?"

"No. Is he a soldier or a civilian?"

"A soldier."

"Is he in the Engineers?"

"No, in the Cavalry. What made you think that he was in the
Engineers?"

The young lady smiled, but made no reply.

"Paul," cried the Countess from behind the screen, "send me some new
novel, only pray don't let it be one of the present day style."

"What do you mean, grandmother?"

"That is, a novel, in which the hero strangles neither his father nor
his mother, and in which there are no drowned bodies. I have a great
horror of drowned persons."

"There are no such novels nowadays. Would you like a Russian one?"

"Are there any Russian novels? Send me one, my dear, pray send me
one!"

"Good-bye, grandmother: I am in a hurry... Good-bye, Lizaveta
Ivanovna. What made you think that Narumov was in the Engineers?"

And Tomsky left the boudoir.

[Dark Saint Alaick]

Lizaveta Ivanovna was left alone: she laid aside her work and began to
look out of the window. A few moments afterwards, at a corner house on
the other side of the street, a young officer appeared. A deep blush
covered her cheeks; she took up her work again and bent her head down
over the frame. At the same moment the Countess returned completely
dressed.

"Order the carriage, Lizaveta," said she; "we will go out for a
drive."

Lizaveta arose from the frame and began to arrange her work.

"What is the matter with you, my child, are you deaf?" cried the
Countess. "Order the carriage to be got ready at once."

"I will do so this moment," replied the young lady, hastening into the
ante-room.

A servant entered and gave the Countess some books from Prince Paul
Aleksandrovich.

"Tell him that I am much obliged to him," said the Countess.
"Lizaveta! Lizaveta! Where are you running to?"

"I am going to dress."

"There is plenty of time, my dear. Sit down here. Open the first
volume and read to me aloud."

Her companion took the book and read a few lines.

"Louder," said the Countess. "What is the matter with you, my child?
Have you lost your voice? Wait--give me that footstool--a little
nearer--that will do."

Lizaveta read two more pages. The Countess yawned.

"Put the book down," said she: "what a lot of nonsense! Send it back
to Prince Paul with my thanks... But where is the carriage?"

"The carriage is ready," said Lizaveta, looking out into the street.

"How is it that you are not dressed?" said the Countess: "I must
always wait for you. It is intolerable, my dear!"

[Dark Saint Alaick]

Liza hastened to her room. She had not been there two minutes, before
the Countess began to ring with all her might. The three waiting-maids
came running in at one door and the valet at another.

"How is it that you cannot hear me when I ring for you?" said the
Countess. "Tell Lizaveta Ivanovna that I am waiting for her."

Lizaveta returned with her hat and cloak on.

"At last you are here!" said the Countess. "But why such an elaborate
toilette? Whom do you intend to captivate? What sort of weather is it?
It seems rather windy."

"No, your Ladyship, it is very calm," replied the valet.

"You never think of what you are talking about. Open the window. So it
is: windy and bitterly cold. Unharness the horses. Lizaveta, we won't
go out--there was no need for you to deck yourself like that."

"What a life is mine!" thought Lizaveta Ivanovna.

And, in truth, Lizaveta Ivanovna was a very unfortunate creature. "The
bread of the stranger is bitter," says Dante, "and his staircase hard
to climb." But who can know what the bitterness of dependence is so
well as the poor companion of an old lady of quality? The Countess
A---- had by no means a bad heart, bat she was capricious, like a
woman who had been spoilt by the world, as well as being avaricious
and egotistical, like all old people who have seen their best days,
and whose thoughts are with the past and not the present. She
participated in all the vanities of the great world, went to balls,
where she sat in a corner, painted and dressed in old-fashioned style,
like a deformed but indispensable ornament of the ball-room; all the
guests on entering approached her and made a profound bow, as if in
accordance with a set ceremony, but after that nobody took any further
notice of her. She received the whole town at her house, and observed
the strictest etiquette, although she could no longer recognise the
faces of people. Her numerous domestics, growing fat and old in her
ante-chamber and servants' hall, did just as they liked, and vied with
each other in robbing the aged Countess in the most bare-faced manner.
Lizaveta Ivanovna was the martyr of the household. She made tea, and
was reproached with using too much sugar; she read novels aloud to the
Countess, and the faults of the author were visited upon her head; she
accompanied the Countess in her walks, and was held answerable for the
weather or the state of the pavement. A salary was attached to the
post, but she very rarely received it, although she was expected to
dress like everybody else, that is to say, like very few indeed. In
society she played the most pitiable role. Everybody knew her, and
nobody paid her any attention. At balls she danced only when a partner
was wanted, and ladies would only take hold of her arm when it was
necessary to lead her out of the room to attend to their dresses. She
was very self-conscious, and felt her position keenly, and she looked
about her with impatience for a deliverer to come to her rescue; but
the young men, calculating in their giddiness, honoured her with but
very little attention, although Lizaveta Ivanovna was a hundred times
prettier than the bare-faced and cold-hearted marriageable girls
around whom they hovered. Many a time did she quietly slink away from
the glittering but wearisome drawing-room, to go and cry in her own
poor little room, in which stood a screen, a chest of drawers, a
looking-glass and a painted bedstead, and where a tallow candle burnt
feebly in a copper candle-stick.

[Dark Saint Alaick]

One morning--this was about two days after the evening party described
at the beginning of this story, and a week previous to the scene at
which we have just assisted--Lizaveta Ivanovna was seated near the
window at her embroidery frame, when, happening to look out into the
street, she caught sight of a young Engineer officer, standing
motionless with his eyes fixed upon her window. She lowered her head
and went on again with her work. About five minutes afterwards she
looked out again--the young officer was still standing in the same
place. Not being in the habit of coquetting with passing officers, she
did not continue to gaze out into the street, but went on sewing for a
couple of hours, without raising her head. Dinner was announced. She
rose up and began to put her embroidery away, but glancing casually
out of the window, she perceived the officer again. This seemed to her
very strange. After dinner she went to the window with a certain
feeling of uneasiness, but the officer was no longer there--and she
thought no more about him.

A couple of days afterwards, just as she was stepping into the
carriage with the Countess, she saw him again. He was standing close
behind the door, with his face half-concealed by his fur collar, but
his dark eyes sparkled beneath his cap. Lizaveta felt alarmed, though
she knew not why, and she trembled as she seated herself in the
carriage.

On returning home, she hastened to the window--the officer was
standing in his accustomed place, with his eyes fixed upon her. She
drew back, a prey to curiosity and agitated by a feeling which was
quite new to her.

From that time forward not a day passed without the young officer
making his appearance under the window at the customary hour, and
between him and her there was established a sort of mute acquaintance.
Sitting in her place at work, she used to feel his approach; and
raising her head, she would look at him longer and longer each day.
The young man seemed to be very grateful to her: she saw with the
sharp eye of youth, how a sudden flush covered his pale cheeks each
time that their glances met. After about a week she commenced to smile
at him...

When Tomsky asked permission of his grandmother the Countess to
present one of his friends to her, the young girl's heart beat
violently. But hearing that Narumov was not an Engineer, she regretted
that by her thoughtless question, she had betrayed her secret to the
volatile Tomsky.