THE POISON TREE by BANKIM CHANDRA CHATTERJEE

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No one can stand on the river bank without shelter in a heavy storm of rain. There was no sign of abatement; therefore Nagendra, thinking it necessary to seek for shelter, set out to walk to the village, which was at some distance from the river, through miry paths. Presently the rain ceased, the wind abated slightly, but the sky was still thickly covered with clouds; therefore both wind and rain might be expected at night. Nagendra went on, not turning back.

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Though it was early in the evening, there was thick darkness, because of the clouds. There was no sign of village, house, plain, road, or river; but the trees, being surrounded by myriads of fireflies, looked like artificial trees studded with diamonds. The lightning goddess also still sent quick flashes through the now silent black and white clouds. A woman's anger does not die away suddenly. The assembled frogs, rejoicing in the newly fallen rain, held high festival; and if you listened attentively the voice of the cricket might be heard, like the undying crackle of Ravana's[1] funeral pyre. Amid the sounds might be distinguished the fall of the rain-drops on the leaves of the trees, and that of the leaves into the pools beneath; the noise of jackals' feet on the wet paths, occasionally that of the birds on the trees shaking the water from their drenched feathers, and now and then the moaning of the almost subdued wind. Presently Nagendra saw a light in the distance. Traversing the flooded earth, drenched by the drippings from the trees, and frightening away the jackals, he approached the light; and on nearing it with much difficulty, saw that it proceeded from an old brick-built house, the door of which was open. Leaving his servant outside, Nagendra entered the house, which he found in a frightful condition.

[1] King of Lanka (Ceylon), whose remains were to burn without ceasing.

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It was not quite an ordinary house, but it had no sign of prosperity. The door-frames were broken and dirty; there was no trace of human occupation—only owls, mice, reptiles, and insects gathered there. The light came only from one side. Nagendra saw some articles of furniture for human use; but everything indicated poverty. One or two cooking vessels, a broken oven, three or four brass dishes—these were the sole ornaments of the place. The walls were black; spiders' webs hung in the corners; cockroaches, spiders, lizards, and mice, scampered about everywhere. On a dilapidated bedstead lay an old man who seemed to be at death's door; his eyes were sunk, his breath hurried, his lips trembling. By the side of his bed stood an earthen lamp upon a fragment of brick taken from the ruins of the house. In it the oil was deficient; so also was it in the body of the man. Another lamp shone by the bedside—a girl of faultlessly fair face, of soft, starry beauty.

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Whether because the light from the oil-less lamp was dim, or because the two occupants of the house were absorbed in thinking of their approaching separation, Nagendra's entrance was unseen. Standing in the doorway, he heard the last sorrowful words that issued from the mouth of the old man. These two, the old man and the young girl, were friendless in this densely-peopled world. Once they had had wealth, relatives, men and maid servants—abundance of all kinds; but by the fickleness of fortune, one after another, all had gone. The mother of the family, seeing the faces of her son and daughter daily fading like the dew-drenched lotus from the pinch of poverty, had early sunk upon the bed of death. All the other stars had been extinguished with that moon. The support of the race, the jewel of his mother's eye, the hope of his father's age, even he had been laid on the pyre before his father's eyes. No one remained save the old man and this enchanting girl. They dwelt in this ruined, deserted house in the midst of the forest. Each was to the other the only helper.

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Kunda Nandini was of marriageable age; but she was the staff of her father's blindness, his only bond to this world. While he lived he could give her up to no one. "There are but a few more days; if I give away Kunda where can I abide?" were the old man's thoughts when the question of giving her in marriage arose in his mind. Had it never occurred to him to ask himself what would become of Kunda when his summons came? Now the messenger of death stood at his bedside; he was about to leave the world; where would Kunda be on the morrow?

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The deep, indescribable suffering of this thought expressed itself in every failing breath. Tears streamed from his eyes, ever restlessly closing and opening, while at his head sat the thirteen-year-old girl, like a stone figure, firmly looking into her father's face, covered with the shadows of death. Forgetting herself, forgetting to think where she would go on the morrow, she gazed only on the face of her departing parent. Gradually the old man's utterance became obscure, the breath left the throat, the eyes lost their light, the suffering soul obtained release from pain. In that dark place, by that glimmering lamp, the solitary Kunda Nandini, drawing her father's dead body on to her lap, remained sitting. The night was extremely dark; even now rain-drops fell, the leaves of the trees rustled, the wind moaned, the windows of the ruined house flapped noisily. In the house, the fitful light of the lamp flickered momentarily on the face of the dead, and again left it in darkness. The lamp had long been exhausted of oil; now, after two or three flashes, it went out. Then Nagendra, with noiseless steps, went forth from the doorway.

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chapter ii.

"coming events cast their shadows before."

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It was night. In the ruined house Kunda Nandini sat by her father's corpse. She called "Father!" No one made reply. At one moment Kunda thought her father slept, again that he was dead, but she could not bring that thought clearly into her mind. At length she could no longer call, no longer think. The fan still moved in her hand in the direction where her father's once living body now lay dead. At length she resolved that he slept, for if he were dead what would become of her?

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After days and nights of watching amid such sorrow, sleep fell upon her. In that exposed, bitterly cold house, the palm-leaf fan in her hand, Kunda Nandini rested her head upon her arm, more beauteous than the lotus-stalk, and slept; and in her sleep she saw a vision. It seemed as if the night were bright and clear, the sky of a pure blue—that glorious blue when the moon is encircled by a halo. Kunda had never seen the halo so large as it seemed in her vision. The light was splendid, and refreshing to the eyes. But in the midst of that magnificent halo there was no moon; in its place Kunda saw the figure of a goddess of unparalleled brilliance. It seemed as if this brilliant goddess-ruled halo left the upper sky and descended gradually lower, throwing out a thousand rays of light, until it stood over Kunda's head. Then she saw that the central beauty, crowned with golden hair, and decked with jewels, had the form of a woman. The beautiful, compassionate face had a loving smile upon its lips. Kunda recognized, with mingled joy and fear, in this compassionate being the features of her long-dead mother. The shining, loving being, raising Kunda from the earth, took her into her bosom, and the orphan girl could for a long period do nought but utter the sweet word "Mother!"

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Then the shining figure, kissing Kunda's face, said to her: "Child, thou hast suffered much, and I know thou hast yet more to suffer; thou so young, thy tender frame cannot endure such sorrow. Therefore abide not here; leave the earth and come with me."
Kunda seemed to reply: "Whither shall I go?"
Then the mother, with uplifted finger indicating the shining constellations, answered, "There!"
Kunda seemed, in her dream, to gaze into the timeless, shoreless ocean of stars, and to say, "I have no strength; I cannot go so far."
Hearing this, the mother's kind and cheerful but somewhat grave face saddened, her brows knitted a little, as she said in grave, sweet tones: